Which dress should I take?
The turquoise one.
Turquoise.
- She's always beautiful. - Yes.
Put it here.
Get out, Tony.
[music]
Can I help you? I'll do it.
Don Luchino, I'll help you.
I want to stay put.
No killing, no blood.
For a while. Just for a while.
I want to grieve.
[Barone] Silence in Palermo, silence all over the island.
Suddenly no gunshots, no deaths.
No leads to follow.
Flat calm and all the time to focus on him,
to hunt him down anywhere.
[radio] We're going in.
Empty.
[Barone] A hole. in the water after another.
It's depressing if in your head taking Raja
it meant taking them all.
[brigadier] Where is he? Saverio, tell me where he is...
He killed a man.
He smashed his head with a fire extinguisher.
- Saverio, tell me where he is! - I don't know.
- I don't know . - Look at the way he's slapped you.
He could have killed you, too.
Where is he?
Where the fuck is he hiding?
[Barone] Lucio Raja, class of 1960.
Wanted for murder for 17 years.
Turned up for only three months,
since we discovered to be loyal to De Filippo.
And from Di Filippo to Bagarella the step was short.
Raja, there's nothing here! There's no electricity!
How does television work?
Spallone, where is the backpack with the videotapes?
- It's not here. - Isn't there?
There's something you had to do! You're never useful!
- Where have you taken me? - Pasquale.
You said you wanted to disappear, move as little as possible.
- And this is perfect. - What a perfection!
- This place is shit. - There's only one road.
If anyone follows you, you can tell right away.
There is a ban on hunting. No fucking breaks.
Follow my instructions on how to organize yourself
to eat and communicate. Everything will be fine.
How long do you need to fix this place?
A few days, the time to connect me to the control unit,
find a couple of cylinders and that's it.
Oh!
I recommend television.
- Fuckin' movies. - What movie did you want to find?
Dersu Uzala.
- What are you doing here? - You called me.
I thought there was something new.
Sorry, I'm having a hard time. to put you in the same room.
I need us to coordinate quietly.
- Explain yourself, Bonanno. - It's the same investigation, right?
They look different to me. I can't keep up behind you.
But you wanted to join the DIA to be with us,
to take care of the fugitives only. and you're already complaining?
You want to go back to the force? Do you regret it?
The truth? A little, yes.
I don't have enough men for tailings, intercepts.
Many requests have been uncovered.
- We're behind the Spallone. - Yes, but there are many of them.
I'm following the brothers, cousins, cousins' husbands,
but I don't have enough men.
I don't have a team to send to Bivona for Raja.
- I don't have them with all my efforts! - You have to do...
I'll tell you what.
We'll sign everything that we need to sign you.
Special requests, overtime and you find the men.
Take them between the cadets, among pensioners,
I don't care where you take them, but find them.
Let's set priorities together.
Either we follow the children of the Spallone
or we send out a team to Bivona for Raja.
- We follow the Spallone. - Wait, why?
Please, Saverio!
He went to Bivona, after 20 years?
Without supports and carrying Di Filippo with him?
They have parties! We're serious!
- I agree, Doctor. - Eh!
With the concept.
Let me through.
[door that opens]
I know you do. as you say
because you have more experience and shit various things,
but you must not allow yourself to contradict me in public.
You leave me no choice.
You're doing it all over again alone, beeing an asshole.
Yiu do your operations, you don't alert anyone,
you're not there when I have to say to Elia that we have nothing.
You don't trust me, Carlo. That's why.
We split them up, didn't we? You on Spallone, I on Raja.
I'm telling you, Raja might be in Bivona.
- You're telling me about trust? - Yes, I do.
Then why don't you tell me what the hell happened to Raja?
I already told you.
He was from my country, a hunter.
He killed a man, I denounced him,
they never caught him.
I'm going to Bivona, let's keep in touch.
[Bernardi] You're the right person for this job.
It's been two weeks and I need an answer.
Bernardi, you're right.
But I still need to decide.
I need you in Rome for six months.
- I can raise the offer... - I can't talk now.
I'll call you back tomorrow and we'll talk about it.
- You okay? - Yeah, I'm fine.
You? How are you?
- I'm leaving for Bivona tomorrow. - To be alone?
For work.
For Raja?
Yes, I am.
Yes.
- Then I'm coming, too. - I'm going on business.
My father's in Bivona, do you remember that?
They've been months he doesn't see Carlotta.
I need to be with him.
- You're right. - You are welcome.
- Can I have this ride? - Sure.
[door that opens]
What's up? Anything new?
Did he call you today?
He'll call tomorrow.
I don't think so, you know?
Don Luchino never did to spend too much time.
If it does, there must be a reason.
Which one, I'm sorry?
Maybe he's offended. for some reason.
He was expecting us to give him a hand with the house.
He does that by himself!
Are you asking me this?
I'm supposed to be washing your boss underwear?
What's with the panties? I'm talking about helping him.
We don't owe him anything.
It's been years since when he calls, you run.
- We've always done everything. - And we're still asked.
The dentist for Bruno, the house loan,
the place for your sister to the city.
Don't forget things.
Do you play?
No. My wife likes it.
Her father taught her when she was a little girl
but I don't play. I don't understand it.
I never came to see my wife.
There was a woman here, too who used to play from time to time.
Angela.
I haven't seen her in a while.
Angela... Of course.
What's it like? Good?
She's lucky, she's left-handed.
Nice left.
She's got her own way to launch.
What's that?
She holds the ball,
stares the jack, concentrated,
and makes that half smile which makes me know
that she's about to do a great shot.
She already knows how to turn the game around.
No!
Are you all right?
Yes.
My name is Ettore. And you?
- Ettore, too. - A nice coincidence.
Yes, that's a nice coincidence.
Thank you, Ettore.
[phone rings]
- Yes, Mazza. - I found Raja.
- Stop, I have to go back. - [Giada] But no, why?
You have to decide now that it's not safe here.
- I gotta go back. Let's split up. - No, Saverio.
But why? We're here, let's split up the cars.
I'm going back with Zaza, you go to Bivona with Piana.
- Your father sees Carlotta. - No, I'm not leaving you.
- Not right now. - You're not leaving me!
You're staying a couple nights and I'll come to get you.
Deal?
Go.
He fucking found him!
He found him...
[music]
We were just checking on that shop.
A Spallone's nephew works there.
Where the fuck is the photo?
Look who's coming out.
- I'll kill you, Saverio! - Where is he now?
In a wooded area above Montemaggiore.
It's impossible to get close there.
- Did you lose him? - No.
He went back and forth twice.
We're trying to figure out how to circumscribe the woods.
- There's only one way. - What are we doing here?
Let's go to the DIA. and we'll get him right away.
Are you kidding me?
Obviously, he's setting up a lair for Di Filippo.
We're behind him and we're waiting.
We lose him in the woods right away, We have to arrest him now.
Carlo, look at me.
He'll tell me where the boy is, trust me.
- He'll also tell me where Di Filippo is. - Because you denounced him.
- You can go. - Let me talk to Bonanno.
You have to stay still!
Let me work.
I don't give a damn about you, Raja, of what's between you.
I want Bagarella and Brusca.
I need your little friend just to find them.
Get out of here.
You can't always do whatever the fuck you want.
- It's my investigation, too. - It's my investigation!
I'm not letting you screw it up, do you understand?
You don't like it? And why don't you come out?
Ask anyone, ask also Elia
if it's better to take a soldier who counts for nothing
or use it to arrest who really matters.
If you'd listened to me about Farinella,
we'd be here by now. to count Bagarella's life sentences.
You lose it,
- then you see how it ends. - Outside.
Get out of here, for fuck's sake!
Get out!
You can't do this job!
You can't do it!
Cocksucker.
So, what's it like? Do you like it?
Two coats of paint, a few shelves,
- and you'll see this little gem! - What are you going to do with it?
- What we have to do? - Don't get me involved.
What's wrong with you? Lately you have a face!
- Nothing. - It takes imagination!
Think of all the jeans on the shelves.
- Where do you get your jeans? - They're the ones Romeo pinches.
We've got our trucks loaded of stuff to sell.
A little music, a beautiful girl,
high ass, tight ass,
when she tries on a pair of jeans in front of the mirror,
looks at you and asks you: "Do I look good?"
[laughs]
With whore's eyes!
Wouldn't you like that?
You think so? I have to get behind a counter?
Who's gonna tell Don Luchino?
According to you, he's the one didn't I ask him yet?
- When did you talk to him? - The day before yesterday.
- And did he tell you about the store? - Yes, he did. Are you jealous?
He didn't tell me anything.
Maybe he's at the hotel with his wife on vacation.
Even the executioner sometimes he's going on vacation.
Selfish, impulsive, confident and arrogant.
- But he's young! - No, he's an asshole.
And he doesn't take advice. He wants trust.
First the trust he's got to deserve it.
You remember how angry you were with Falcone?
With Giovanni? Me? But when?
When he said that you were firing shit
and he didn't trust you. Or did you forget that?
I remember that.
- It's happened sometimes. - Sometimes.
Sometimes.
His shit are bigger.
I had no doubt.
- Are you fucking kidding me? - No.
Can we go to bed?
[Barone] Are they back yet?
- What are you doing here? Giada? - Saverio...
She put me my back to the wall and I told her.
- She wants to go back to Bivona. - I asked you one thing.
She's my daughter Saverio! I had to tell her.
- What's going on? - You piece of shit, you know that.
You wanted me out of here? And I'm going.
- Carlotta's coming with me. - That's not it.
You've come to an agreement with my father? Bravo!
Another one who treats me like a fuckwad.
It's just an advice, for six months, all right?
I did it because I thought you need anything else.
Don't you dare! I don't need you
a man who finds me a job 600 km away.
You don't know how to live with us, you're a misfit.
You have not been honest with anyone and yourself.
I'm this close to Raja, by Bagarella, by the child!
What the fuck are you talking about?
Of that child you never gave a shit!
It's just a goal on your schedule.
Because you have to win at all costs, right?
Bagarella, Mazza, Raja... and now I'm here.
You don't give a shit about anybody.
Come here, my love.
Wait...
Don't go away, Giada. Let's talk for a second.
Please. Do you hear her crying?
Come on, please!
Giada!
Fuck you!
Fuck you...
You don't care about me?
[Giuseppe] Is that so?
I think in a land like this miracles also grow.
Are you serious?
The earth is full of parasites and all things die.
I'll tell you a secret: macerated with nettles.
There's no need to put pesticides and other things.
Put the nettle rolled up in the rainwater,
and after 15 days, it's ready.
[screams]
Anna, don't worry.
I'll take care of it.
Don't talk! Don't think!
[the man weeps]
I can't do this.
I can't take it anymore.
I can't be here anymore.
He's got the eyes of the devil!
Are you sure you can decide who can stay here?
Shoot.
Once you threaten then you have to.
Next time that you take the gun
it's in your mouth.
Now get out, you dickhead.
I'll talk to him.
Salvo, Salvo...
What's up?
He's not a little kid.
I do everything for you, Doctor.
But now he can't stay here anymore.
He looks like the devil.
The devil?
Let's put it this way.
Or do you take this money and the little kid stays here.
or get the shovel and dig your own grave.
Your call.
That's good.
If he didn't show up, what did you do?
Shooting at the one guy's head who's got him?
And why then? For a fucking superstitious person?
Fuck! And talk to us!
- You're dumber than him! - Giovanni.
- What's the matter? - The little kid has changed.
- You haven't seen him in a long time. - Did his horns come out?
Are you laughing?
What the fuck are you laughing at?
The shipment arrives tomorrow.
You tell me where to put it that Giambascio isn't finished?
- Answer me. - Sorry, Giovanni.
Sorry fuck you.
Let's go eat that broke my dick.
- If Giambascio was ready... - You have to shut up!
Who the fuck do you think you're talking to?
You don't know what I'm doing for your brother.
If you don't know things, you just have to shut up.
Don't fuck with me.
How far is the lair of Raja from the street?
[Bonanno] More than a mile.
And it really doesn't exist a way to keep an eye on him?
- I can't believe it. It's impossible. - It's in the middle of the woods.
I put the men above the trees?
Doctor, can you hear me?
[music]
So you saw my calls.
I talked to Bonanno, It's a good idea for him, too.
Where did these come from?
It's a process for industrial espionage.
- Good morning, sir. - Hello there.
Deputy prosecutor Carlo Mazza, nice to meet you.
Giorgio Menz, nice to meet you.
I saw you coming. In fact, I've been following you for a while.
- For a while now, how long? - I'll show you.
That's it?
Look now.
- Fuck, prosecutor office! - But that's my office!
This would be the idea.
They're Israeli cameras, can be remotely controlled.
Position, zoom, even focus.
They allow you to be far enough away.
- That's what you need, isn't it? - All right, we'll get them.
No, wait a minute. I think it's too risky.
On trees we can hide them.
- You're gonna get a good job. - It's our compromise.
We're not taking him, but we're checking him out.
- OK. - Oh!
- How much does it cost? - You'll like this less
but we can deal with that.
- For payment half now... - And half on delivery.
- No, on the capture. - How on the capture?
Are you confident in your toys?
You're a supplier to the state,
the fight against the mafia has a price
and honest citizens help the institutions.
- That makes sense. - All right.
Let's talk about the details and assembly.
A technician of mine must be always present on the spot.
No problem.
I need...
This one, too.
This can be fun.
Stop. I don't like it. It's not good.
- What's wrong with it? - The color white.
- I think it's dead. - And how does it have to be?
- Or white or white... - It's not the right color!
- Let's go. - Are you going to tell me now?
What colour do we have to do this?
- Turquoise. I want turquoise. - The turquoise fairy.
- We're good! - Good morning, everyone.
- How's it going? - It's all right.
- Tony, congratulations. - Did you see that?
One minute and I'm out of here.
I tried to contact Don Luchino, but he's not answering.
I talked to him, he knows I have to move.
For anything, for any problem,
- I'm here. - That's it.
Thank him for everything from me, please.
Guys, when I get back I'm coming to see you.
- If I come back. - Pass it by.
They sent me somewhere which is a lead, in Posignone.
My wife doesn't want to go there.
You have to have eyes with the wives.
For example, he found a settled girl.
Don Luchino, we don't talk about it.
Vincenzina's a saint.
You must be lucky. with women.
- Will you do me this courtesy? - Sure.
- Good bye. - Good bye.
That's a nice shade, huh?
- You see? - Turquoise.
I want turquoise for the shop.
Thank you for everything.
- Anything else? - No.
I'm glad that you've received me.
- Did you miss me? - I was worried.
I thought that you might need any help.
With all the chores to change at home...
- Would you have come? - My wife would be there.
- Or we can find someone. - No.
Don't worry about it.
I don't need anything.
What about the others? Do they ask questions?
No, none.
Vincenzina made sense. of humor.
A message of love
on a repentant son's drawing.
How's the shop?
The shop is beautiful. Thank you, Don Luchino.
It's too much for me.
We're about to finish our renovating
and then let's have a toast. But you have to be there too.
- Maybe I'll think about it. - You can't miss it.
I care.
All right, Tony.
- Good night. - I greet you, Don Luchino.
[music]
With this you pass from camera to camera.
One, two, three and four.
This is to move them.
So, around here, too.
To zoom in just push the lever down or up.
That's him!
Damn, we got him!
[Giorgio] It was worth it.
Barone, we've got a lot of things to do. Come on.
- No, I'm getting my first shift. - It will take days
- before Di Filippo appears. - I know.
- [Bonanno] It's him, isn't it? - Yes, he is.
Lucio Raja.
[music]
- How long before the hut? - Little.
Oh! Which way?
That way.
- I don't know how to thank you. - You're welcome, Giovanni.
You don't know that for you I do all the things?
- Give me this, then. - This?
Not even dead. It cost me twenty million.
Alone? And what's its name this watch?
- Ebel. - Yes, it's nice, but what's its name?
- Her name is Ebel. - Ah, Ebel!
[honk]
Slowly.
- Stop, police! - Nice!
- Santa's here. - Really?
Look at these beautiful gifts I brought you.
Let's see what toys you brought me.
Fuck, that's nice!
That's nice.
- Isn't that right, Antonio? - What is it?
- We have a king. - A king?
Giovanni is the king of the world.
[tv] He entered the area...
The doorman...
[officer] Fuck.
Please, Dorino, try again.
[Dorino] She won't talk to you.
But you have to make her understand that I did it for her,
- so as not to lose her. - I did it for the opposite.
Don't ask me to help you. I salute you, Saverio.
Wait!
Doctor!
We have to warn Mazza.
Wait, there he is.
- How long has he been out? - 15 minutes.
- You're sure? - Yes, I am.
15 minutes.
Come here!
What happened? Call someone!
Call the fire department!
One, two, three!
- Let's get another one! - No, stop!
- What do I sell then? - You're right.
Pietro, you do it to me too. a store like this?
The competition begins.
- Wait till I open, at least. - [knock on door]
Don Luchino, good evening.
- Good evening, everyone. - You finally made it.
I was promised a drink.
- We were just leaving. - Let's stay a little longer.
Monica, don't worry.
You must be tired.
Thank you. Tony told me that you've been thinking of me.
I like this color.
- If you need the shop... - No, stay.
We have to get that drink.
You go home, all right? I'll be there later.
Excuse me.
Gentlemen, this is a day of celebration.
But it's also a day of mourning.
My wife Vincenzina she's gone.
- What's that? - What happened?
Maybe sometimes God can't see us well and he's wrong.
But I'm here to toast.
This pain has kept me too much time away from you.
Now I'm back.
The enemies we have held on holiday
we're sending all them to hell now.
- Cheers. - Cheers.
Who shall we start with?
Antonino Di Caro.
With many greetings to his friend Giovanni Brusca
that is getting ready for World War III.
- What does he do? - Caro talks to the cops.
You didn't know?
Does that mean that I'm the only one who knows it.
- Here's the coffee. - Thank you.
Thank you.
What the fuck is going on?
These are not technical problems.
- They sent us into the dark. - Try again. Come on!
- It's no use, we're burned. - We got too close!
I knew it!
- What do we do now? - What we said.
We're going in.
Bonanno, let me in your men.
You were right and I listened to you.
Now you do it, please.
Trust me, tell me you're in.
- OK. - Come on!
[Barone] He must think that we fell for it.
He must think that I can't go to the shack.
He has to be quiet.
Don't worry, Raja.
And move.
- Are you all right? - Sure.
- What about it? Do you like it? - This is how it should be.
You can see the sea and there's space. for Spallone's wife.
I really appreciate it. the VCR.
Thank you very much.
Are we saying goodbye? What is this, a farewell?
I'd say so.
- So? - Nothing.
We're either assholes or do we look like assholes?
Shall we go find him out?
- Be careful it breaks. - But stop it!
- Did it work? - Let's hope so.
- So you give me the other 50%. - It's attached to the money.
- Come on, I'll take him. - Be careful.
Yes, I am.
[Mazza] Go.
Pasquale Di Filippo.
Minchia, it's Di Filippo. But do you realize?
Di Filippo!
- From tomorrow we will also have... - Bagarella.
And Raja, on the other hand. that we lose him.
- We got him, too. - How?
When you told me that the plane had landed,
I brought the boys back in and we got lucky.
They intercepted Raja.
They're following him now.
- Yes... - Let's just stay and watch.
It could take us by someone else.
OK.
Duck, can you hear me? I'm Saverio Barone.
He's been in there for 20 minutes and he didn't move.
It might be starting soon.
- We have to decide what to do. - Stay where you are.
Duck, stay where you are.
Don't lose him.
- We'll send reinforcements. - We're not losing him.
- [noise without distinction] - What's going on?
Can you hear me? Duck?
- Duck! - [gunshot]
[gunshots]
What happened?
What's going on?
[Raja] I'll kill you!
[brigadier] It smashed him up with a fire extinguisher!
Where the fuck is he hiding?
[sirens in the distance]
Hurry up! Hurry!
Duck!
[man] Call an ambulance!